| AKADEEMIA No. 11 - 2006.
A short history of the Estonian
theatre
Mart Kivastik
..................................... 2331
On theatre and school
Ingo Normet
...................................... 2336
The paradox of the actor. I
Denis Diderot
.................................... 2353
On Kotzebue and Lenz in the
year of the Estonian theatre
Vahur Aabrams
................................. 2371
Native roots and kaleidoscope:
Two models for the theatre
Jaak Rähesoo
................................... 2391
"Like real": How psychological
realism
came to the Estonian theatre
Katri Aaslav-Tepandi
.......................... 2408
History of Estonian theatrical
thought: Introductory notes
Piret Kruuspere
................................. 2418
Revolution in the aesthetic
of the theatre and
Evald Hermaküla (1969–1971)
Luule Epner
...................................... 2438
What is actually happening
Hendrik
Toompere ............................. 2449
How to make an ideal production?
Tiit Ojasoo
........................................ 2454
For the aesthetic of performativeness
Erika Fischer-Lichte
.......................... 2457
Performance as metaphor
Bert O.
States ................................... 2473
The author's interpretation
and interpretation of the
performance
Robert Wilson
.................................... 2517
Looking for the author of the
theatrical text: Subtexts and
subworks in the metatext
of the production
Talvo Pabut
....................................... 2522
Robbers: Play in seven acts
after Friedrich von Schiller
Heino Mikiver
..................................... 2543
Review : Connection between
times. Lea Tormis.
Teatrimälu. Koostanud
Piret Kruuspere ja Hando Runnel.
(Eesti mõttelugu 67.) Tartu:
Ilmamaa, 2006.
Lilian Vellerand
.................................. 2553
Abstracts ........................................................................
2561 |
